Darvejon was trained by legendary tap dancers Paul and Arlene Kennedy, been closely mentored and performed works by master Horton Technique teacher Ray Tadio, performed works by the founder of the Institute for Dunham Technique Certification, Dr. Albirda "Bird" Rose, and performed works for Emmy award-winning choreographers Ashley Roland and Jamey Hampton,  as well as Brenda Way, Ar Vejon Jones, Christian von Howard, Oluyinka Akinjiola, Sara Parker, Heidi Duckler, Maya Ciarrocchi, Jose Limon, and many others. His works have been shown at the Mckenna Theater, The Black Choreographers Festival, and PUSHfest in San Francisco; La MaMa Experimental Theater, The Kraine Theater, and The Kaye Playhouse in New York City; and Headwaters Theater, Studio 2, and BodyVox in Portland, Oregon (Darvejon Jones Dance Ensemble). Jones holds a BA in Dance Performance and Choreography & a minor degree in Japanese Language and Literature from San Francisco State University as well as an MFA in Dance with multiple distinctions from Hunter College under the direction, mentorship, and tutelage of maura nguyễn donohue. His writing can be found in CULTUREBOT and Movement Research and Performance Journal. Currently, he is engrossed in exploring embodied liberatory practices intrinsic to Black dance. He is curious about phantasmagoria, puppetry, poetry, and the intersections of contemporary dance practices and traditional African American spirituality. In Spring '24, Darvejon received an appointment to a tenure-track Assistant Professor of Dance at Hunter College.